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Edith Wharton
There are two ways of spreading light:
to be the candle, or the mirror that reflects it.
Edith Wharton
Born in 1862 into an affluent and socially prominent New York
family, Edith Wharton did not seem destined for a career as
a best-selling author.
Her parents, George Frederic and Lucretia
Jones, lived comfortably on the profits of numerous real estate
ventures. The Joneses divided their time between a New York
brownstone off fashionable Fifth Avenue; a waterfront home
in Newport, Rhode Island; and summer rentals in Europe. Historians
attribute the phrase "Keeping up with the Joneses"
to Edith Wharton's well-traveled family.
Caroline Astor, first cousin of George Frederic
Jones, presided over New York society. The Mrs. Astor,
as she liked to be called, and her friend, Samuel Ward McAllister,
created "the Four Hundred" social list to restrict
the number of people in their social circle.
In "Old New York," as Wharton called
it, one was either on or off The Mrs. Astor's social list.
At times, over dinner, with furtive glances and shakes of
the head, the members of the Four Hundred remarked on a wayward
friend or relative who had stepped out of their insular world
in search of a more enriching life.
The insular world of Old New York became the
genesis of Wharton's work. It was a world that she would leave
as well, but would recreate with precision in her novels.
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There was in me a secret retreat where
I wished no one to intrude.
Edith Wharton
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Precocious
Child
The Joneses had three children: Frederic, Henry, and Edith,
the youngest by twelve years. From the start, Edith was a
precocious child who loved creating stories. In her autobiography,
A Backward Glance, she recalled spending afternoons
cocooned in her father's library, "dragging out book
after book in a secret ecstasy of communion." With a
book in hand, Wharton paced the room, reciting her own stories
while pretending to read aloud.
Eventually, her library recitations became
written stories. In 1877, 15-year-old Edith completed her
first novel, Fast and Loose. The next year, she persuaded
her mother to arrange a Newport printer to publish Verses,
her first book of poetry. William Dean Howells, impressed
with the young woman's talent, published one of her poems
in the Atlantic Monthly.
Lucretia Jones was not quite sure what to
make of her daughter's talent. Concluding that the best cure
for an intelligent woman was to find a suitable husband, she
arranged for Edith to make her social debut a year early.
Wharton recalled hovering close to her mother all night in
"a long cold agony of shyness."
Over the next few years, eligible bachelors
came and went. Harry Stevens proposed to Wharton, but his
parents would not consent to the match. In Bar Harbor, Wharton
met Walter Berry, but at summer's end, they parted ways, becoming
lifelong friends.
In 1885, to her mother's relief, Edith married
Teddy Wharton, an older man from Boston who was a friend of
her brother Henry. The couple moved into a New York townhouse
at 882-884 Park Avenue and spent their summers at Pencraig
Cottage in Newport.
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Look at that waist! No one would ever
guess that she had written a line of poetry in her life.
Teddy Wharton
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A
Woman of Society
Edith Wharton settled in to a life of writing and domesticity.
She sat in bed each morning, her inkpot teetering precariously
on her knee, and wrote until it was time to rise and prepare
for a day of social activities as Mrs. Edward Robbins Wharton.
Teddy proved an amiable companion in the early
years of their marriage. By then, Edith had grown into an
attractive young woman, with red hair elegantly coiffed, and
a slim figure accentuated by the newest gowns from Paris.
Teddy admired his wife's ability to look pretty
and be smart. On a walk one day, he pointed to Edith and exclaimed
to a friend: "Look at that waist! No one would ever guess
that she had written a line of poetry in her life."
Edith Wharton had inquisitive eyes that saw,
and observed, and recorded every detail of every transaction
before her. It was a characteristic that served her well,
making her writing rich with detail. But it unnerved many
who knew her.
"She looks at me as if I were a worm!" exclaimed
one. Said another, who noticed Wharton staring at her, "What
have I done to be looked at so disapprovingly?" Lost
in a haze of creative thoughts, Wharton distractedly responded,
"Oh...I was just thinking...that I like your hat."
Those closest to Edith
knew the real reason for her affected behavior in public.
Her friend Lily Norton observed, "Her natural shyness
unconsciously impressed her intellectual superiority among
people, and she lived remotely."
Among Wharton's lifelong passions were architecture,
interior design, and gardening. With the help of architect
Ogden Codman Jr., she decorated her New York townhouse and
her two Newport homes, Pencraig Cottage, and later, Land's
End.
Wharton and Codman disliked the cluttered
rooms, dark color schemes, and mammoth furnishings of many
Victorian homes. In their book, The Decoration of Houses,
they advocated the use of brighter colors, minimal furnishings,
and a return to more classically inspired designs.
In 1902, the Whartons left Newport for the
crisp mountain air of western Massachusetts. Wharton worked
with architect Francis Hoppin to design a classical villa
on a hill overlooking lush gardens that she designed with
her niece, landscape architect Beatrix Jones Farrand.
The Mount became a gathering place for Wharton
and her friends, including author Henry James. Wharton left
the cares of New York society behind to write and to grow
carnations, lilies, and hollyhocks, for which she won prizes
at local flower shows.
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Edith Wharton in love...displayed the
reckless ardor of a George Sand.
Morton Fullerton
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Successful
Author
Edith Wharton traveled frequently
to Europe, where she developed friendships with writers, artists,
and other intellectuals, including
Henry James, Paul Bourget, and Vernon Lee.
In 1905, Edith Wharton published her first
best-selling novel, The House of Mirth. The story,
about a young woman named Lily Bart who struggled to escape
the pressures of New York society, echoed Wharton's own life.
Her editor, William C. Brownell, remarked that The House
of Mirth had "the most rapid sale of any book ever
published by Scribner."
As Wharton established herself as a financially successful
author, her husband's mental health declined. Diagnosed with
manic depression, Teddy Wharton's behavior became increasingly
erratic. Wharton's friend, Mary Berenson, remarked: "Mr.
Wharton's mania leads him to buy houses and motors for music-hall
actresses, to engage huge suites in hotels and get drunk and
break all the furniture and to circulate horrible tales about
his wife."
Wharton spent the next few years alternately
traveling, writing, and taking care of her husband. She might
have remained in the troubled marriage had she not met, and
fallen in love with, a handsome journalist named Morton Fullerton.
Henry James introduced Wharton to Fullerton
during a visit to The Mount in 1907. The shy author shed her
reserve and began a passionate affair with Fullerton, who
was known throughout Paris for his liaisons.
Their relationship existed, off and on, for
three years, ending in 1911. "My life was better before
I knew you," Wharton concluded, and requested her letters
back. Fullerton kept them, boasting later, "Edith Wharton
in love...displayed the reckless ardor of a George Sand."
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Every one of you
won the war,
You and you and you.
Edith Wharton
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Humanitarian
Wharton's affair with Fullerton gave her the courage
to divorce her husband in 1913. Settling permanently in France,
she shifted her energies to fundraising for relief efforts
during World War I.
In 1914, she founded the American Hostels
for Refugees to provide meals, clothing, and medical services
to more than 10,000 French and Belgian refugees. She also
founded the Children of Flanders Rescue Committee to care
for children displaced from bombarded towns. For her work,
the French Government awarded her the Legion of Honor.
In 1915, Wharton became a foreign war correspondent,
visiting troops on the front lines in order to report back
to America about the war. Her articles, written over six months
of travel, were published as Fighting France, From Dunkerque
to Belfort. Wharton recalled her wartime memories in her
novel, A Son at the Front.
In 1920, Edith Wharton
resumed her two-house tradition, alternating winters at Ste.
Claire Chateau, a villa in Hyeres, on the French Riviera,
with summers at Pavillon Colombe, her home in the village
of St.-Brice-Sous-Foret, north of Paris. She again took up
gardening, finding solace from the memories of war in the
rich soil of the Seine Valley.
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I am not a public figure. I have said
what I had to say.
Edith Wharton
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Europhile
Despite her relocation to France,
Edith remained interested in the world of her youth. In 1921,
she published her Pulitzer-Prize winner, The Age of Innocence,
a recollection of her life in Gilded Age New York.
Like her heroine, Ellen
Olenska, Edith Wharton was an independent woman who had left
New York for the allures of Europe. She never returned to
the old world, but she recalled it with a nostalgic fondness
that only distance, time, and middle age could bring.
Wharton returned one last time to America
to accept an Honorary Doctorate of Letters from Yale University.
On June 20, 1923, dressed in cap and gown, she joined fifteen
other honorary degree recipients on the New Haven campus.
In awarding the degree, Professor William Lyon Phelps noted:
"She holds a universally recognized place in the front
rank of the world's living novelists. She has elevated the
level of American literature."
Wharton spent the remainder of her life traveling
throughout Europe, visiting friends, mentoring young writers,
and writing books. In 1935, she suffered a stroke, which impaired
the vision in her right eye. Still, she kept writing, nearly
completing The Buccaneers before she died in 1937.
Throughout her career, Edith Wharton kept
a low profile. "I am not a public figure," she insisted.
When a reporter from the New York Herald asked why
she rarely spoke to the press, she replied with characteristic
candor, "Talking about myself in public was one experience
I willingly renounced. I felt my books should stand or fall
on their own merits, not on my preferences in tooth paste
or my ideas about cold baths."
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